Journal

A ridge overlooking a waterway, a distant hillside and a faint structure
New work
19 March 2025

Abbotts Overlook

I was walking the trail by Abbotts Lagoon with my family. I stopped to look around and take in my surroundings, and I was taken with this scene: the muted hills in the distance, the mystery of a white structure far off, the peaceful sound of the wind rustling the grasses at my feet.

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Point Reyes, California, March 2025Oil on stretched canvas, 30 × 15 in
Sold

Journal from the studio on 7 February 2025

Self-Made Artist Residency: Final Recap

Wrapping up six weeks of painting, plus a progress check on the final piece

It's the last day of my residency, and the painting is progressing really well. The overall bones of the painting are all in place.

The 15 by 30 inch painting in progress on a studio easel: a peachy sky over layered hills, a strip of pale water, olive-green hillsides, and a broad gold foreground band, with the yellow flowers not yet added.
Three 6 by 12 inch foreground studies clamped on an easel, stacked to compare: a muted green and pink option on top, a warmer more colorful option in the middle, and the gold and green option at the bottom.
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Journal from the studio on 5 February 2025

Painting Month: Day 22 Recap

Self-made artist residency · day 22

It's day 2 of the final week of my residency and my final project is a 15" x 30" painting of a scene in Inverness, CA. On Day 1, I designed the composition, drew the outlines of the big shapes, laid down an underpainting, and blocked in the background and mid-ground.

Large canvas on the easel: pale sky, layered orange hills, and a bare orange foreground underpainting with visible brush striations, no bushes yet.
Small study on a tabletop easel: loose, blended brushwork forms an olive bush band over pale water, under a peach sky and orange foreground.
The bushes now blocked in as an olive-green band across the middle distance; the foreground below remains a flat, tighter-brushed orange wash.
End of the day: rough grass and flower shapes now blocked in at the bottom in darker greens, alongside the finished bush band and hills.
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Journal from the studio on 4 February 2025

Painting Month: Day 21 Recap

Self-made artist residency · day 21

When I crafted the plan for this residency, I designed it to consist of 2 main phases. During the first phase, I would explore nature, study color and light, and practice painting what I saw directly in front of me. During the second, and final phase, I would take everything I learned during Phase 1 and apply it to a finished studio painting.

A lagoon in Inverness, CA framed by green scrub, with rolling hills and two white ranch buildings in the hazy distance.
The 15x30 canvas on an easel with an orange monochromatic underpainting blocking in the hills, water, and sky in broad strokes.
The monochromatic underpainting further developed, with clearer value contrasts between the sky, hills, and water shapes.
The small color study from Day 19 clamped above the large canvas, which now has its sky, background, and middle ground blocked in monochrome.
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Journal from the studio on 1 February 2025

Painting Month: Days 19-20 Recap

Self-made artist residency · days 19–20

For day 19, it was gloomy/rainy out and I decided to make it a studio day. I realized that the fast pace required to deal with changing light conditions was making it hard to work on areas I wanted to improve. While I was having a blast painting outside, I felt I could really benefit from moving a bit slower and focusing in the studio.

Reference photo: a lagoon bordered by green coastal scrub and dry grass, with golden hills and a small white farmhouse in the distance under a cloudy sky.
The painting at an early stage, propped on a wooden easel in the garage: just a warm sky, a pale band of water, and a single olive-green shape for the hills.
The painting further along: layered purple and gold hills with a tiny white building, pale water, dark green scrub, and textured golden grasses up front.
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Journal from Diablo Foothills Regional Park on 30 January 2025

Painting Month: Day 18 Recap

Self-made artist residency · day 18

For day 18, I only had a half day planned so I hoped to work on a 6x8 study in the Diablo Foothills again. I had so much fun when I was there on Day 2 that I wanted to see what it would be like under different lighting conditions.

Rolling foothills with an oak-dotted slope in the foreground and a distant ridge striped in sun and shadow, thick clouds breaking to blue sky.
Rolling foothills with an oak-dotted slope in the foreground and a distant ridge striped in sun and shadow, thick clouds breaking to blue sky.
Same ridge with power lines crossing the frame, hillside washed gold in sunlight, bare oaks scattered across the near slope, wispy clouds above.
Same view under a heavier grey cloud bank, the ridge dimmed to soft grey-green with the gold light reduced to a narrow strip along the top.
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Journal from Mount Diablo State Park on 29 January 2025

Painting Month: Day 17 Recap

Self-made artist residency · day 17

For day 17, I planned to spend the day in Benicia, CA, painting the bay views along the shoreline. Unfortunately, while driving up there, visibility dropped steeply when I started approaching the area with surrounding fog in every direction. After consulting satellite photos, it seemed to just be affecting that small region:

Screenshot of the Fog Today app's satellite view, a patch of fog over the Carquinez Strait near Benicia marked with a red arrow, timestamped Jan 28, 9:11am.
Dirt trail curving through golden hillsides dotted with oak trees, a shadowed ridge of Mt. Diablo rising in the distance under clear sky.
Pochade box on the trail holding an early block-in: burnt-sienna outlines of mountains and a dark silhouetted tree on a white panel, mixed paint on the palette below.
Same pochade setup with the painting further along: blue-grey peaks, dusty rose midground, dark tree, olive grass foreground and tan path, palette now loaded with mixed greens and mauves.
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Journal from the East Bay on 28 January 2025

Painting Month: Days 14-16 recap

Self-made artist residency · days 14–16

For day 16 of my painting month, I'm back in the Bay Area and planned to paint at Black Diamond Mines Regional Park and Markham Nature Park.

Distant cluster of dark cypress trees and white grave markers on a golden hillside, seen past a foreground pine's needled branches.
A gravel path curves up a tree-covered slope, oaks bare and rust-colored in the foreground against darker evergreen canopy above.
Sunlit and shadowed folds ripple down a grassy hillside, cut by parallel ravines, with a line of dark trees along the base.
A weathered wooden barn with a rusted tin roof sits among trees at the base of a golden hillside, an old pickup and fencing nearby.
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Journal from Sedona, Arizona on 23 January 2025

Painting Month: Day 13 recap

Self-made artist residency · day 13

For day 13 of my painting month, I planned to make 2 paintings in Sedona, AZ. There are so many places to paint in Sedona that it’s almost overwhelming. In the end, I decided to paint Cathedral Rock and Coffeepot Rock.

Red sandstone spires rise above juniper and scrub brush under a clear blue sky, seen across a sagebrush wash.
The same rock spires seen closer, tightly cropped against the sky with a faint white contrail overhead.
Open pochade box on a tripod, palette below mixed with maroon and olive paint; a valley of rooftops and juniper spreads out behind the easel.
The finished painting on the easel, with the actual sunlit rock spires visible in the background matching its composition.
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Journal from the Sandia Mountains on 20 January 2025

Painting Month: Day 11-12 Recap

Self-made artist residency · days 11–12

For day 11, I only had time for a quick 6x8 painting. Since I was in Albuquerque, NM with my family, I took a quick trip to the Sandia Mountains to paint a scene there.

Dirt trail through dry grass and cholla cactus, junipers scattered ahead, layered Sandia foothills under a blue sky with a few small clouds.
Open pochade box on a tripod holds a small in-progress oil sketch of the mountains, mixed color palette below, brushes in the foreground, Albuquerque valley hazy in the distance.
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Journal from the studio on 3 January 2025

My Self-Made Artist Residency

Spending six weeks plein air painting in CA and AZ

Happy New Year! I have some exciting plans for this year. To kick things off, I'm taking a month(ish) off from my normal day job to focus on making art.

Golden-hour light on rugged coastal cliffs and surf along the Bay Area coastline, with wild grass and pink flowers in the foreground and fog-layered hills across the water.
A calm pond mirrors oak trees and rolling green hills under a clear blue sky, with dry grasses and reeds along the near bank.
A white lighthouse with a red roof and a keeper's outbuilding perched on a rocky bluff above turquoise ocean water, seen from above.
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Journal from the studio on 30 December 2024

Reflecting on My Oil Painting Journey in 2024

My oil painting art practice was born this year. I painted for the first time in January and consistently practiced throughout the year. While I have long had a creative drive in me, it had previously been passive and casual – now I'm focused on dedicating time to get better.

Grid of six still life oil studies: apple in a bowl, sliced apple, sunflowers in a vase, a candle, a wine bottle, and orange wedges.
Three plein air oil studies: a pine-topped bluff over gray water, an ochre cliff road, and a golden hillside across a bay.
Oil painting on an easel: a pale tidal channel winds through olive marsh grass toward a distant treeline under a muted sky.
Oil painting on an easel of a pink-and-yellow fishing boat and a moored sailboat below dusky cliffs, signed in the corner.
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